Navegando por Palavras-chave "Pessoas Transgêneros"

Agora exibindo 1 - 1 de 1
  • Imagem de Miniatura
    Item
    Acesso aberto (Open Access)
    Desterritorialização da Carne: cartografias das emoções que efetuam corpos travestis no centro de São Paulo
    (Universidade Federal de São Paulo (UNIFESP), 2019) Moraes, Daniel Filipe [UNIFESP]; Pereira, Pedro Paulo Gomes [UNIFESP]; Universidade Federal de São Paulo (UNIFESP)
    This dissertation describes the experience that began starting at the encounter with travestis and trans women in street situation. I was hired as a psychologist at “Casa Florescer”, an equipment dedicated to shelter this population. The main objective is to cartography the affections that are produced during these encounters and how they make the body escape from the rigid lines that conserve genders. The method of this cartography has allowed me to trace lines to create a map that followed the invented subjectivity movements in the encounters. As a way to give visibility to narratives, speeches, meanings and significances lived, I interviewed two contributors. How can the emotion move the body in order to create expression channels into matter? What other bodies are these? In which ways do they embody into matter? The body inhabits the unlocatable and whets its sensibility coming from a self-factor of a(ffe)ctivation. The potency of affecting and being affected produces repulse and attraction movements, in which these bodies experiment positions and sounds that give these affections channel to embody a material expression. Emotion has a strict bond with the group (motus) motion – mobility. E-movere means to put into motion, to expropriate itself. It comprehends, then, emotion, not as passiveness, but as differentiation movement, that connects with the planes of affective forces. Evellyn manifests this differentiation movement in the encounter of bodies, she didn’t hormone herself, nor did she have any silicone prosthesis and not even wear clothes that society describes as feminine. The encounters with Evellyn took me to another experimentation field, eyes didn’t matter much other than her qualities of irradiation and of forces that composed with mine, constructing a plane of immanence to embody new corporealities. At a certain evening at the “CineClube 7 Cores” I met Lívia. She would experiment herself with wigs and dresses, in which all that made her vibrate, her eyes sparkled at the same time her gender was embodying in her flesh. Thaís elaborates over a body that doesn’t enclose itself in the flesh, for it flows out with her gesture reflections, making her escape from the social intelligibilities. She comprehends from her emotions that she was always a woman, so she takes her body as screen to embody these motions. Samanta, with all her colors and rhythmic vibrations, created fluctuations in the density of the atmosphere, transporting me out of my own self. She was spread out everywhere at the shelter, I could feel her body slipping in between the paintings, leaving traces of what past through. Her woven produced other inaudible bodies. It’s the subtlety of deviations that produces new bodies in dialog. A channel of intelligibility for other genders is performed in the emotion that engenders a plane of immanence to be materialized, moves the proper body towards other corporealities, sensibilities and experimentations.