Carolina e Macabéa em diálogo: narrativa, voz e subjetividade em Quarto de Despejo e A Hora da Estrela
Data
2024-05-24
Autores
Guilherme, Marina Ferreira 
Orientadores
Telles, Luís Fernando Prado
Tipo
Dissertação de mestrado
Título da Revista
ISSN da Revista
Título de Volume
Resumo
Esta pesquisa constitui-se de uma análise comparativa das vozes femininas de Macabéa e Carolina, protagonistas das respectivas obras A Hora da Estrela (1977), de Clarice Lispector, e Quarto de Despejo (1960), de Carolina Maria de Jesus. O objetivo é analisar a construção das personagens em relação à dicotomia presença e ausência de voz. Desta maneira, a comparação é realizada a partir de uma percepção sobre como duas protagonistas marginalizadas podem ser construídas por meio de uma comunicação distinta, porém que reflete as questões sociais (semelhantes) protagonizadas por elas. Para a realização da pesquisa, foi traçado um percurso de análise das construções narrativas de ambas as obras, por meio dos conceitos de autoficção, com foco nos estudos de Doubrovsky (1977) e Colonna (1989), e autobiografia, principalmente a partir da teoria do pacto autobiográfico, publicada por Phillippe Lejeune (2008). Além disso, também foi necessário compreender os tópicos que envolvem a concepção do sujeito por meio da linguagem, assim como a composição dos gêneros discursivos, como proposto por Bakhtin e Volóchinov no Círculo de Bahktin (1981). Desse modo, a partir das teorias literárias básicas, uma análise pertinente à narrativa, voz e subjetividade das protagonistas foi realizada para compreender a construção de um perfil social por meio da linguagem a que se dá as personagens e, portanto, como elas estão relacionadas.
This research consists of a comparative analysis of the female voices of Macabéa and Carolina, protagonists of the respective works A Hora da Estrela (1977), by Clarice Lispector, and Quarto de Despejo (1960), by Carolina Maria de Jesus. The objective is to analyze the construction of the characters in relation to the dichotomy of presence and absence of voice. In this way, the comparison is made based on a perception of how two marginalized protagonists can be constructed through distinct communication, but which reflects the (similar) social issues they face. To carry out the research, a path was drawn to analyze the narrative constructions of both works, through the concepts of autofiction, focusing on the studies of Doubrovsky (1977) and Colonna (1989), and autobiography, mainly based on the theory of the autobiographical pact, published by Phillippe Lejeune (2008). Furthermore, it was also necessary to understand the topics that involve the conception of the subject through language, as well as the composition of discursive genres, as proposed by Bakhtin and Voloshinov in the Bahktin Circle (1981). Thus, based on basic literary theories, a pertinent analysis of the narrative, voice and subjectivity of the protagonists was carried out to understand the construction of a social profile through the language used by the characters and, therefore, how they are related.
This research consists of a comparative analysis of the female voices of Macabéa and Carolina, protagonists of the respective works A Hora da Estrela (1977), by Clarice Lispector, and Quarto de Despejo (1960), by Carolina Maria de Jesus. The objective is to analyze the construction of the characters in relation to the dichotomy of presence and absence of voice. In this way, the comparison is made based on a perception of how two marginalized protagonists can be constructed through distinct communication, but which reflects the (similar) social issues they face. To carry out the research, a path was drawn to analyze the narrative constructions of both works, through the concepts of autofiction, focusing on the studies of Doubrovsky (1977) and Colonna (1989), and autobiography, mainly based on the theory of the autobiographical pact, published by Phillippe Lejeune (2008). Furthermore, it was also necessary to understand the topics that involve the conception of the subject through language, as well as the composition of discursive genres, as proposed by Bakhtin and Voloshinov in the Bahktin Circle (1981). Thus, based on basic literary theories, a pertinent analysis of the narrative, voice and subjectivity of the protagonists was carried out to understand the construction of a social profile through the language used by the characters and, therefore, how they are related.