Navegando por Palavras-chave "Material Culture"
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- ItemSomente Metadadados"A Arte de fazer toda qualidade de doces" : Gênero e Cultura Material no livro Doceiro Nacional, na Belle Époque(Universidade Federal de São Paulo (UNIFESP), 2017) Lima, Larissa Alves de [UNIFESP]; Monteleone, Joana de Moraes; http://lattes.cnpq.br/5754158565897388; http://lattes.cnpq.br/7903606195417486; Universidade Federal de São Paulo (UNIFESP)The purpose of this monograph is to investigate the consumption of sugar in Belle Époque and the feminine roles involved in the "making" sweets and desserts from the book Doceiro Nacional. Aimed at the woman, the work is written as a practical guide to the making of sweets, as well as other dishes made with sugar. In addition, it is a book edited and reissued numerous times by Editora Garnier, which suggests the size of his editorial success, to the point of being considered a sales champion of the time. Among the fundamental questions of this investigation are: the study on the consumption of sugar in Brazil in the late nineteenth century - considering its role as raw material in the form of sweets; the study of women in Rio de Janeiro from that period; the study of Editora Garnier and the process of publishing a cookbook aimed at women at that time.
- ItemAcesso aberto (Open Access)Casa Guilherme De Almeida: A Fabricação De Um Museu-Casa (1969-1979)(Universidade Federal de São Paulo (UNIFESP), 2018-05-16) Vieira, Guilherme Lopes [UNIFESP]; Paiva, Odair Da Cruz [UNIFESP]; Universidade Federal de São Paulo (UNIFESP)This Study Analyzes The Trajectory To Create The Historic House Museum Which Honors The Writer Guilherme De Almeida (1890-1969), Through The Process Of Musealization Imposed On The Property That Served As Residence For His Family For About Twenty-Three Years. Almeida Was An Important Brazilian Writer Who Worked During The 20th Century, With Intense Literary Production, Which Includes Poems, Translations, Cinematographic Critiques And Social Chronicles. During The 1970s, After His Death In His Residence, Political Agents Such As The Governors Roberto De Abreu Sodré (1917-1999), Laudo Natel (1920), And Paulo Egydio Martins (1928) Continued The Process That He Musealized The Property And Culminated In The Founding Of Casa Guilherme De Almeida In 1979. Thus, The Main Objective Of This Work Is To Identify The Factors That Triggered The Choice Of The Historical Character Guilherme De Almeida For This Public Homage
- ItemAcesso aberto (Open Access)Forma, função, produção: a publicidade da Unilabor e um projeto de modernidade(Universidade Federal de São Paulo (UNIFESP), 2019-02-20) Silva, Osvaldo Bruno Meca Santos Da [UNIFESP]; Atique, Fernando [UNIFESP]; Universidade Federal de São Paulo (UNIFESP)The Unilabor was a small industrial plant that intended to bring together a modern design in the production of furniture and a community experience of work, inspired by the movement Economics and Humanism. It functioned in São Paulo from 1954 to 1967. An icon of the relationship between the Religious Community activity with Modern Art, the factory was the result of a partnership between the plastic artist Geraldo de Barros, head of the furniture design, and the Dominican friar João Baptista Pereira dos Santos, who led the proposal of humanization and "sharing of management" work in the company. The Unilabor used different strategies and visual materials in their advertising, which, besides the main purpose of the ads was selling furniture, also communicated to potential consumers like ideas, dedicated to a project of Modernity for the household. This research tried to understand how this publicity was made, once Unilabor was looking to become a company non-aligned with tools of capitalist system and, therefore, we evaluated how the advertising resources of the factory were used in practice, highlighting contradictions, and then explaining how the operative management, seen by the idealizer Friar João Batista, as a third way, in praxis, was spread in a diffuse way in publicity. Throughout the analysis, we also identified how the consumption relationship of these images was constituted, focusing the clients and/or the workers.
- ItemAcesso aberto (Open Access)A Rede De Dormir E Os Viajantes: Cultura Material E Contribuições Do Olhar Estrangeiro Através Das Imagens(Universidade Federal de São Paulo (UNIFESP), 2018-05-09) Bezerra, Francine Soares [UNIFESP]; Baumgarten, Jens Michael [UNIFESP]; Universidade Federal de São Paulo (UNIFESP)The Present Research Seeks To Present The Polyvalent Universe Of Hammocks, An Artefact That During The First Centuries Of Portuguese America Was An Essential Element Of The Settlers' Daily Life, Using Their Literary And Visual Representations Produced By Travel Literature And Scientific Expeditions. We Will Focus Our First Chapter On Its Character Of Mobility, So Appreciated On The Way To The Interior Of The Continent, Observing It As An Equipment At Rest Areas While Traveling Through Images Made By Traveling Artists In The Nineteenth Century, Especially By Hercules Florence During The Langsdorff Expedition. Aiming To Contextualize Its Presence And Importance In The People Of São Paulo Formation And Development, Having Been An Appropriate Resting Device Of The Amerindian Culture As A Means Of Adaptation To Adverse Conditions And An Almost Indispensable Accessory In The Exploration Of A Territory Whose Boundaries Were Yet To Be Established, The Second Chapter Will Bring Us Closer To The Techniques Of Cotton Pr
- ItemSomente MetadadadosA Reestruturação da Muralha de Adriano: romanização e identidade na Bretanha Romana e seus desdobramentos durante Imperialismo Britânico do início do século XX(Universidade Federal de São Paulo (UNIFESP), 2017) Souza, Francisco Bruno Resella de [UNIFESP]; Silva, Glaydson José da [UNIFESP]; http://lattes.cnpq.br/6399650055335751; http://lattes.cnpq.br/9598417241516697; Universidade Federal de São Paulo (UNIFESP)Romans and barbarians are key terms in studies on Romanization, as they were fundamentally used in ancient writings to define society understood as civilized and those who lived outside its margins. In counterpoint to the imperialist idea of understanding the Roman as the civilizing figure, and of the barbarian as the uncivilized outsider, this paper proposes to reflect on the relations between Romans and the indigenous tribes in the region between Roman Britain and "uncivilized" Britain, known to the Romans as Caledonia, present day Scotland, in addition to analyzing and understanding how Roman terms and ideas are redefined and re used by post Roman populations. The region chosen for the study is the region of one of the Frontiers of the Roman Empire. The great British monument known as Hadrian's Wall which is a generic name for a series of buildings, including forts, observation towers, ditches, roads and the curtain itself has a vital role in this research, since the study of this monument, its immediate surroundings and its material remnants, will help establish the basis for understanding the relations of the populations in the vicinity of the Hadrian‘s Wall region, before, during and after its construction. The study of the vicinity of the wall, with a focus on its pre Roman populations, can also help to understand the various frontier meanings that the Wall suffered and, above all, to allow an understanding of how these meanings influenced control discourses and identity issues during British Imperialism.
- ItemSomente MetadadadosOs rituais mexicas de sacrifício humano: análise da presença dos deuses nos rituais descritos por Sahagún no século XVI (Xiuhtecuhtli, Tezcatlipoca e Tláloc)(Universidade Federal de São Paulo (UNIFESP), 2010) Vieira, Maria Luisa [UNIFESP]; Plens, Cláudia Regina [UNIFESP]; http://lattes.cnpq.br/2142424336909827; http://lattes.cnpq.br/6381426889955363; Universidade Federal de São Paulo (UNIFESP)The purpose of this present study is to investigate the material presence of three mesoamerican gods in the mexica´s human sacrifice rituals: Xiuhtecuhtli, Tezcatlipoca and Tláloc. For this analysis historical source statues, masks and vessels of the gods and the descriptions of the rituals made by fray Bernardino de Sahagún, in the 16th century were used. The objective is to understand the presence of the gods in these rituals. The human sacrifice rituals had a cosmogonic importance in these society, in the way that mexicas believed that it was necessary feed the gods with the blood of the sacrificed for the continuity of the Age, and a social importance in the way that there was some conditions necessary for the ritual. The presence of the gods in these rituals (in the form of statues or in another way) was something that configurated these practice, and differed from each other, depending of the god, the local and the ritual.