Navegando por Palavras-chave "Texto Multimodal"

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    Bear: o que acontece quando uma webcomic migra para o papel
    (Universidade Federal de São Paulo (UNIFESP), 2019-10-23) Gambarini, Klaus Wagner Saglauskas [UNIFESP]; Ramos, Paulo Eduardo [UNIFESP]; Universidade Federal de São Paulo (UNIFESP)
    The objective of the present research is to verify what happens when a comic book migrates from the digital support to the print version. Just as we intend to understand how the reader forms the meanings of the text, what changes the author needs to make to fit the work in the support migration process, comparative analysis of a comic in both supports and evidence the importance for the language of the comics. To do this study, the corpus chosen was the comic “Bear”, by Brazilian author Bianca Pinheiro, who originaly created as "BEAR, webcomic por Bianca Pinheiro" in 2012 and migrated support for the print books “Bear”, Volumes 1, 2 and 3. The clipping will be the Prologue and Chapter 1 of webcomic and Volume 1, released in book. The papers presents as theoretical basis the definitions of support of Debray (1993), Marcuschi (2003, 2018), Maingueneau (2013), Bonini (2011) and Távora (2008, 2012). For the definition of webcomics and digital comics, it will be used as theoretical studies by Cirne (1972), Franco (2007, 2008, 2013), Mendo (2008), Ramos (2009), Santos (2010), Veronezi (2010). Eisner (2010), Luna (2013), Cagnin (2014), Groensten (2015) and Barbieri (2017). To analyze or process the webcomic process for printing, comparisons will be made between frames and corresponding pages in two different sports. We seek to understand how the reader forms or the meaning of the narrative by means of tracing in the text using as theories of the Textual Linguistics of Koch (2008, 2016, 2017), Marcuschi (2003, 2018), Cavalcanti (2012) and Koch and Elias (2016). ). One hypothesis is that when migrating from support, a comic book presents different tracks to the reader so that the senses of the text. With no technological capability for mass interaction or animation, paper requires manipulation in the original text.
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    Acesso aberto (Open Access)
    Paratextos Ficcionais Em Watchmen
    (Universidade Federal de São Paulo (UNIFESP), 2018-08-28) Brito, Karoline Caetano [UNIFESP]; Ramos, Paulo Eduardo [UNIFESP]; Universidade Federal de São Paulo (UNIFESP)
    This Research Focuses On The Multimodal Texts Presented At The End Of The First 11 Chapters Of Watchmen, A North American Comic Book Scripted By Alan Moore And Designed By Dave Gibbons Published In The United States As A Maxisserie In 12 Editions Between The Years Of 1986 And 1987. Our Main Objective Is To Understand The Role That These Texts, Which We Consider Fictional Paratexts, Exert On The Work. For The Analysis, Will Be Adopted The Portuguese Language Edition Published By Panini Books In 2011. Our Hypothesis Is That There Are Non-Fictional Paratexts - Which Are Related To The Published Work, Such As The Title, Preface, Cover, And So On - And Fictional - That Were Produced In The Fictitious Context And Do Not Exist In Any Other Way - Having Our Corpus Framed In The Second Case. What Is Proposed Here Is To Conduct A Dialogue Between Literature, Linguistics And Comics, Using The Concepts Of Paratexts Presented By Genette (1989; 2009); The Contextualisation Factors Of Marcuschi (2012); Hypertext Reading, Ac