Navegando por Palavras-chave "Análise De Discurso"

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    Uma análise do discurso "revolucionário" em pichações
    (Universidade Federal de São Paulo (UNIFESP), 2019-01-30) Knetsch, Patricia Castello Bucioli [UNIFESP]; Kogawa, Joao Marcos Mateus [UNIFESP]; Universidade Federal de São Paulo (UNIFESP)
    This research proposes an analysis of revolutionary discourse in graffiti which theme is a female subject. The general objective of this work is to demonstrate that the chosen statements have contradictory characteristics: in the discursive practice the graffiti has revolutionary attributes, however, the dynamics of its semantic formation manifest conservative characteristics. The following question emerged: is graffiti, as far as the meaning it mobilizes, effectively subversive, or is there space for conservatism? This research has its theoretical basis in the theories of Michel Pêcheux, Jean-Jacques Courtine, Michel Foucault and Roland Barthes. From this point of view, graffiti as a revolutionary practice operates at the same time with conservative ideological values that mythify the female figure. Such values can be systematized in three pre-existing myths: (i) every woman is / should be a mother; (ii) every woman is / should be beautiful; (iii) every woman is / should be seduced. The statements analyzed are, from this point of view, divided between contravention and conservatism. Courtine describes divided statement as a disagreement among several positions of subjects over the same discursive formation. In this sense, the subject inscribed in the graffiti is divided between the myth of motherhood, beauty, and seduction that subjectivate the feminine figure from a conservative discourse, and affirmation of a modern feminine figure coming from a "revolutionary" discourse.
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    Espetáculo da fé: a constituição do ethos discursivo no discurso religioso midiático
    (Universidade Federal de São Paulo (UNIFESP), 2019-02-25) Souza, Marta Silva [UNIFESP]; Silva, Sandro Luis Da [UNIFESP]; Universidade Federal de São Paulo (UNIFESP)
    El discurso se constituye más que el lenguaje oral, escrita o visual, visto que se refiere al uso del lenguaje en acción de acuerdo con los factores históricos, sociales, culturales y con la situación interactiva entre sujetos. Con la expansión de los medios de comunicación, la iglesia asumió la importancia del uso de los medios como vehículo de evangelización. De este modo, considerando el campo discursivo religioso y los medios de comunicación como constructos sociales y sus actuaciones en la sociedad, exploramos la confluencia entre el discurso religioso y el campo mediático, con destaque en el medio televisivo, y analizamos la constitución del ethos discursivo a partir de los mecanismos lingüístico-discursivos elegidos por ele anunciador en la enunciación. Esta investigación se inscribe en el análisis del discurso francesa a la luz de los estudios de Dominique Mainguneau. Para que sea posible, la recopilación seleccionada consta de secuencia de enunciados producidos por líderes religiosos en los programas televisivos Direção Espiritual y Fala que eu te escuto. Elegimos como categorías de análisis las facetas de la semántica global, la cenografia y el ethos discursivo. Verificamos los recursos utilizados por el enunciador para delimitación de los lugares discursivos de los participantes del proceso enunciativo. La asociación de los posicionamientos en el espacio discursivo de intercambios de las restricciones semánticas, sociales, históricas y culturales, así como la interrelación entre el discurso religioso y la televisión, a partir del espectáculo de la religiosidad. De otra forma, el espectáculo posibilita la divulgación y de la publicidad de la iglesia y permite que la enunciación sea elaborada por el enunciador para la sensibilización del coenunciador. A fin de conquistar autoridad y credibilidad, el líder religioso ocupa la condición discursiva de representante de Dios y, en determinada coyuntura discursiva, presenta ‘imagines de si’, por ejemplo de empatía, solidaridad.
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    Os ethé discursivos da cena enunciativa jurídica cível: uma análise da petição inicial, da contestação e da sentença no processo civil
    (Universidade Federal de São Paulo (UNIFESP), 2020-02-28) Souza, Fernando Leandro De [UNIFESP]; Silva, Sandro Luis Da [UNIFESP]; Universidade Federal de São Paulo
    The present work aims to analyze the constitution of the discursive ethos, as conceived by Maingueneau (2008, 2013, 2015, 2018), in the civil legal enunciative scene. It is part of the research line “Language in new contexts” of the Postgraduate Program in Letters at the Federal University of São Paulo and adds to the linguistic studies the discourse analysis of the legal field. To this end, it conducts a qualitative analysis of an initial application, a challenge and a sentence, which make up the same lawsuit in the civil area, within an ordinary procedure. These three documents constitute the research corpus. Through the intersection of thoughts of the Discourse Analysis theorists, especially those of the French line, the aim is to analyze the linguistic-discursive resources used for the constitution of the enunciator's discursive ethos in the three mentioned speech genres and the degree of interference that these resources exert in the adhesion of the recipients. It starts with the hypothesis that the enunciators work to transmit a good image of themselves, in search of a specific objective, and that some individuals who assume certain discursive roles see the need to transmit a distinct image of themselves as an obligation, as those belonging to the discursive fields of law. Allied to the study of ethos, we intend to investigate the scenes of enunciation, theorized by Maingueneau (2015), namely the encompassing scene, the generic scene and the scenography, in order to situate the chosen genres within the discursive universe to which they belong, as well as studying polyphony, under the same author's view, to understand the use of the authority argument, and to discourse on the institutional ethos, to understand the relationship of symbolic exchanges between individuals who assume the discursive roles surrounding the elected genres and their respective institutions. The results show a preference for erudite, solemn, eloquent and combative ethé, among others, belonging to the stereotypes of judge and lawyer, marked by argumentative linguistic resources, abuse of pronouns of treatment, appreciation of pompous language, polyphonic appeal to voices of authorities outside the utterances and by the deliberative language.